Il sindacato dei montatori del suono dei 72th Golden Reel Awards premiano Wicked, Emilia Peréz e Dune: Parte 2.
Sono stati annunciati i vincitori della 72esima edizione dei Golden Reel Awards, che premiano i risultati eccezionali nel montaggio sonoro, nella progettazione del suono, nel montaggio musicale e nell’arte del foley nel cinema, nella televisione e nei videogiochi.
Come riportato da AwardsWatch, a trionfare: Dune: Part Due ha portato a casa il riconoscimento per gli effetti speciali e il foley, Wicked per il montaggio musicale, Emilia Pérez il premio internazionale del gruppo per i lungometraggi, e The Wild Robot per l’animazione.
Per la televisione, ad essere premiati Shōgun, Ripley, Only Murders in the Building e The Penguin.
DI SEGUITO I VINCITORI
Outstanding Achievement in Sound Editing – Feature Dialogue / ADR
Saturday Night / Columbia Pictures
Supervising Sound Editors: David Butler, Will Files MPSE, Lee Gilmore MPSE
Dialogue Editors: Helen Lutrell, Emma Present
Outstanding Achievement in Sound Editing – Feature Effects / Foley
Dune: Part Two / Warner Bros. Pictures
Supervising Sound Editor: Richard King
Sound Designers: Dave Whitehead MPSE, Michael Babcock, Lee Gilmore MPSE, Randy Torres
Sound Effects Editors: Brent Burge, Hayden Collow, Melanie Graham, Michael Mitchell, Jeff Sawyer, Matt Stutter MPSE, Chris Terhune
Supervising Foley Editor: Chris Flick
Foley Editor: Willard Overstreet
Foley Artists: John Cucci, Dan O’Connell
Outstanding Achievement in Music Editing – Feature Motion Picture
Wicked / Universal Pictures
Supervising Music Editor: Jack Dolman & Catherine Wilson
Supervising Vocal Editor: Robin Baynton
Outstanding Achievement in Sound Editing – Feature International
Emilia Pérez / Netflix
Supervising Sound Editor: Aymeric Devoldère
Sound Designer: Cyril Holtz
Supervising Dialogue Editor: Hortense Bailly
Supervising ADR Editor: Carolina Santana
Foley Editor: Antoine Swertvaegher
Foley Artist: Gregory Vincent
Outstanding Achievement in Sound Editing – Feature Animation
The Wild Robot / Universal Pictures
Supervising Sound Editors: Brian Chumney, Leff Lefferts
Sound Designer: Randy Thom MPSE
Sound Effects Editors: David Farmer MPSE, David Hughes, Jamey Scott MPSE
Dialogue Editor: Rich Quinn
Foley Editors: Malcolm Fife, Dee Selby
Foley Artists: Ronni Brown, Jana Vance
Outstanding Achievement in Sound Editing – Feature Documentary
The Blue Angels / Amazon Prime
Supervising Sound Editor: Robert Stambler MPSE
Sound Effects Editor: Ryan “Sully” Sullivan
Dialogue Editor: Emma Present
Outstanding Achievement in Music Editing – Documentary
Music by John Williams / Disney+
Supervising Music Editor: Ramiro Belgardt
Music Editors: Christopher Barnett MPSE, Roy Waldspurger
Outstanding Achievement in Sound Editing – Non-theatrical Feature
Rebel Moon – Part Two: The Scargiver / Netflix
Supervising Sound Editors: Scott Hecker MPSE, Chuck Michael MPSE
Sound Effects Designers: Scott Hecker MPSE, Chuck Michael MPSE, Nick Interlandi, Bryan Jerden MPSE, Alexander Pugh MPSE, Andrew Vernon MPSE
Sound Effects Editor: Greg ten Bosch MPSE, Brad Sokol
Supervising Dialogue / ADR Editor: Jessie Anne Spence MPSE
Dialogue/ADR Editors: Michael Hertlein, Arielle McGrail, Byron Wilson
Supervising Foley Editor: Mark Pappas
Supervising Foley Artist: Gary Hecker MPSE
Foley Artists: Michael Broomberg, Mike Horton
Outstanding Achievement in Sound Editing – Non-Theatrical Documentary
Apollo 13: Survival / Netflix
Supervising Sound Editor: Paul Darling
Sound Editor: Greg Gettens
Foley Editor: Olly Freemantle
Foley Artist: Rebecca Heathcote
Outstanding Achievement in Sound Editing – Non-Theatrical Animation
Arcane: “The Dirt Under Your Nails” / Netflix
Supervising Sound Editors: Brad Beaumont MPSE, Eliot Connors MPSE
Sound Effects Editor: Stephen P. Robinson MPSE
Supervising Music Editor: Alexander Temple
Music Editors: Andrew Kierszenbaum, Sebastien Najand, Alex Seaver
Foley Editor: PJ Pascual
Foley Artists: John Cucci, Dan O’Connell
Outstanding Achievement in Sound Editing – Broadcast Animation
Secret Level: “Warhammer 40,000: They Shall Know No Fear” / Amazon Prime
Supervising Sound Editors: Brad North MPSE, Matt Yocum MPSE
Sound Designers: Joseph Fraioli, Nolan McNaughton MPSE, Ryan Sullivan
Sound Effects Editors: Chris Battaglia MPSE, Harry Cohen MPSE
Foley Editors: Matt Manselle, Matt Telsey
Foley Artist: Brian Straub
Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue / ADR
Shōgun: “Ladies of the Willow World” / FX
Supervising Sound Editor: Brian J. Armstrong MPSE
Sound Editor: Damon Cohoon
Dialogue Editor: John Creed MPSE
ADR Editor: Ayako Yamauchi MPSE
Outstanding Achievement in Sound Editing – Broadcast Long Form Effects / Foley
Ripley: “III Sommerso” / Netflix
Supervising Sound Editors: Michael Feuser, Lawrence Zipf
Sound Designers: Bill R. Dean MPSE, Angelo Palazzo MPSE, Lawrence Zipf
Foley Editor: Igor Nikolic
Sound Effects Editors: David Forshee MPSE, Wyatt Sprague
Supervising Foley Editor: Matt Haasch
Foley Artists: Sandra Fox, Steve Hammond, Goro Koyama, Andy Malcolm, Jay Peck
Outstanding Achievement in Sound Editing – Broadcast Short Form
Earthsounds: “Australian Forests” / Apple TV+
Supervising Sound Editor: Kate Hopkins
Sound Effect Editor: Tom Mercer
Foley Editor: Ellie Bowler
Foley Artist: Rory Joseph
Outstanding Achievement in Music Editing – Broadcast Long Form
The Penguin: “Cent’Anni” / HBO Max
Supervising Music Editor: Ben Holiday
Music Editors: Chad Birmingham, Luke Dennis
Outstanding Achievement in Music Editing – Broadcast Short Form
Only Murders in the Building: “My Best Friend’s Wedding” / Hulu
Music Editor: Michah Liberman
Outstanding Achievement in Sound Editing – Game Dialogue / ADR
Call of Duty: Black Ops 6
Audio Lead: Jacob Harley, Jeremiah Sypult, Brian Tuey
Audio Directors: Ian Mika
Supervising Sound Editor: Charles Deenen
Supervising Dialogue Editor: Robert Jackson
Senior Audio Artist: Ryan Garigliano
Dialogue Editors: Jessica Arkoff, Socrates Ayala, Kelli Baffoni, Tom Boyd, Roman Fusco, Cesar Marenco MPSE, Kevin Patel, Brandon Roos, Ruge Sun, Dani Turner, Rob Weiss, Maggie Wolf
Audio Artists: Justin Moreh, Darrell Tung
Outstanding Achievement in Music Editing – Game Music
Star Wars Outlaws
Audio Director: Simon Koudriavtsev
Senior Music Designer: Erik Jacobsson
Music Supervisor: Manu Bachet
Outstanding Achievement in Sound Editing – Game Effects / Foley
Call of Duty: Black Ops 6
Audio Directors: Adam Boyd MPSE, Trevor Bresaw, Ian Mika, Jeremiah Sypult, Brian Tuey
Supervising Sound Editor: Charles Deenen
Lead Sound Designers: Collin Ayers, Jai Berger, Darren Blondin, John Drelick, Nick Martin, Kevin Sherwood
Sound Designers: Mark Camperell MPSE, Nick D’Amato, Tom David, James Evans, Daniel P. Francis MPSE, Luis Galdames MPSE, Nick Interlandi, Austin Krier MPSE, Jim Lecroy, James Miller, Garrett Montgomery MPSE, Josh Moore, Michael Newton, Dominik Ragančík, Jordan Ruhala, Matthew Schaff MPSE, Nick Spradlin, Darrell Tung, Bryan O. Watkins
Technical Sound Designers: Sunglae Park, William Wise III
Expert Sound Designers: Andy Bayless, Cameron Britton, Scott Eckert
Associate Lead Sound Designer: Jacob Harley
Sound Effects Editors: Landen Belardes, Cadmus Blackwood, Tyler Windsor
Senior Audio Artist: Corina Bello, Logan Byers, Ryan Garigliano, Jasmine Jia, James McCawley, Vadim Nuniyants, Tim Schlie, Lee Staples
Junior Audio Artists: Tommy Lee, Justin Moreh
Foley Editor: Rustam Himadiiev
Foley Artist: Bogdan Zavarzin
Audio Directors: Adam Boyd MPSE, Trevor Bresaw, Ian Mika, Jeremiah Sypult, Brian Tuey
Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)
Songbirds / Savannah College of Art and Design
Supervising Sound Editor: Eugenio Mirafuentes
