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37° USC Scripter Awards: annunciate le nomine i migliori sceneggiatori

La USC ha annunciato le nomination della 37esima edizione degli Scripter Awards che premiano i migliori sceneggiatori.

La USC hanno svelato le nomination della 37a edizione degli Scripter Awards, che premiano gli sceneggiatori di adattamenti cinematografici e televisivi e gli autori delle opere originali, e i cui vincitori saranno svelati sabato 22 febbraio 2025, nel corso della cerimonia che si terrà presso la sala da ballo Town & Gown della University of Southern California.

Come riportato da AwardsWatch, tra i candidati cinematografici troviamo: A Complete Unknown, Conclave, Nickel Boys, Sing Sing e The Wild Robot, mentre per la televisione: Baby Reindeer, Shogun, Say Nothing e Ripley.

DI SEGUITO LE NOMINE

Cinema

  • James Mangold and Jay Cocks for A Complete Unknown, adapted from Elijah Wald’s nonfiction book “Dylan Goes Electric! Newport, Seeger, Dylan, and the Night That Split the Sixties”
  • Peter Straughan for Conclave, based on the novel by Robert Harris
  • RaMell Ross and Joslyn Barnes for Nickel Boys, an adaptation of Colson Whitehead’s Pulitzer Prize-winning novel “The Nickel Boys”
  • Clint Bentley and Greg Kwedar (screenplay and story) and Clarence Maclin and John “Divine G” Whitfield (story) for Sing Sing, drawn from John H. Richardson’s Esquire article “The Sing Sing Follies”
  • Chris Sanders and Peter Brown for The Wild Robot, based on Peter Brown’s beloved children’s book of the same name

Televisione

  • Richard Gadd for the sixth episode of Baby Reindeer, adapted from his stage play
  • Steven Zaillian for the fifth episode of Ripley, based on Patricia Highsmith’s “The Talented Mr. Ripley”
  • Joshua Zetumer for “The People in the Dirt” from Say Nothing, inspired by Patrick Radden Keefe’s nonfiction book “Say Nothing: A True Story of Murder and Memory in Northern Ireland”
  • Rachel Kondo and Justin Marks for “Anjin,” the premiere episode of Shōgun, based on James Clavell’s novel.
  • Will Smith for “Hello Goodbye” from Slow Horses, adapted from Mick Herron’s novel “Spook Street”

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