MPSE Golden Reel Awards 2022: nominati “Dune”, Matrix Resurrections”, “La Fiera delle Illusioni – Nightmare Alley”, e “A Quiet Place Part II”
La Motion Picture Sound Editors (MPSE) ha annunciato le nomine della 69esima edizione degli MPSE Golden Reel Awards, i cui vincitori saranno svelato nel corso della cerimonia virtuale che si terrà il 13 marzo 2022.
A ricevere il maggior numero di menzioni, tre ciascuno, “Dune”, “Matrix Resurrections”, “La Fiera delle Illusioni – Nightmare Alley”, e “A Quiet Place Part II”.
Candidati anche: “Belfast”, “Last Night in Soho”, “No Time to Die”, “The Power of the Dog”, “Spider – Man: No Way Home”, “tick, tick… BOOM!” e “West Side Story”.
Per quanto riguarda invece il campo televisivo nominati “The Book of Boba Fett”, “Loki”, “Mare of Easttown”, “The Underground Railroad”, “WandaVision” e “The White Lotus”.
DI SEGUITO TUTTE LE NOMINE
Outstanding Achievement in Sound Editing – Feature Dialogue / ADR
Dune
Warner Bros.
Dialogue Editor: David Bach
Last Night in Soho
Universal Pictures
Supervising Sound Editors: Dan Morgan, Julian Slater MPSE
Supervising ADR Editor: Dan Morgan
The Matrix Resurrections
Warner Bros.
Supervising Sound Editors: Stephanie Flack, Dane A Davis MPSE
Dialogue Editors: Marek Forreiter, Benjamin Hörbe, Dominik Schleier, Immo Trümpelmann
Nightmare Alley
Searchlight Pictures
Supervising Sound Editor: Jill Purdy MPSE
Supervising Dialogue Editor: Jill Purdy MPSE
Supervising ADR Editor: Jill Purdy MPE
Dialogue Editor: Nelson Ferreira MPSE
No Time to Die
Universal Pictures
Supervising Dialogue & ADR Editors: Becki Ponting, Michael Maroussas
Dialogue Editors: Rachael Tate MPSE, Adele Fletcher
Supervising Sound Editor: Oliver Tarney MPSE
The Power of the Dog
Netflix
Supervising Dialogue & ADR Editor: Leah Katz
A Quiet Place Part II
Paramount Pictures
Supervising Sound Editor: Ethan Van der Ryn
Supervising Dialogue & ADR Editors: Vanessa Lapato, Nancy Nugent
Dialogue Editor: Matt Cavanaugh MPSE
The Tragedy of Macbeth
Apple TV+
Supervising Sound Editor: Skip Lievsay
Supervising Dialogue Editor: Michael Feuser
Outstanding Achievement in Sound Editing – Feature Effects / Foley
Belfast
Focus Features
Sound Designer: James Mather
Sound Editor: Tomas Blazukas
Foley Editor: Arthur Grayley
Foley Artists: Sue Harding, Oliver Ferris
Dune
Warner Bros.
Supervising Sound Editors: Theo Green, Mark Mangini MPSE
Sound Designer: Dave Whitehead
Sound Effects Editors: Phil Barrie, Lee Gilmore MPSE, Greg Ten Bosch MPSE, Robert Kellough MPSE,
Piero Mura
Foley Editor: Christopher Bonis
Foley Artists: Andy Malcolm, Goro Koyama, Sandra Fox
The Matrix Resurrections
Warner Bros.
Supervising Sound Editors: Dane A. Davis MPSE, Stephanie Flack
Sound Effects Editors: Bryan O. Watkins, Jeremy Peirson, Markus Stemler, Michael Schapiro, Eric
Lindemann, Albert Gasser MPSE, Laurent Kossayan MPSE, Caron Weidner
Foley Editors: Frank Kruse, Kuen Il Song
Foley Artist: Daniel Weiss
Nightmare Alley
Searchlight Pictures
Supervising Sound Editor: Nathan Robitaille MPSE
Sound Effects Editor: Dashen Naidoo
Foley Editor: Chelsea Body
Foley Artists: Goro Koyama, Andy Malcolm
No Time to Die
Universal Pictures
Supervising Sound Editors: Oliver Tarney MPSE, James Harrison
Sound Designers: Bryan Bowen, Eilam Hoffman
Sound Effects Editor: Dawn Gough
Foley Editor: Hugo Adams
Foley Artists: Sue Harding, Andrea King
A Quiet Place Part II
Paramount
Supervising Sound Editors: Ethan Van der Ryn, Erik Aadahl MPSE
Sound Designers: Malte Bieler, Brandon Jones
Sound Effects Editors: Chris Diebold, Matt Cavanaugh MPSE
Foley Editor: Jonathan Klein
Foley Artists: Steve Baine, Peter Persaud
Spider-Man: No Way Home
Sony Pictures
Supervising Sound Editor: Steven Ticknor MPSE
Sound Designer: Anthony Lamberti
Outstanding Achievement in Sound Editing – Feature Music
Dune
Warner Bros.
Supervising Music Editors: Clint Bennett, Ryan Rubin
Music Editor: Peter Myles
Ghostbusters: Afterlife
Sony Pictures
Supervising Music Editor: Curt Sobel
In the Heights
Warner Bros.
Music Editors: Jim Bruening, Jennifer Dunnington, Ben Holiday
The Matrix Resurrections
Warner Bros.
Supervising Music Editor: Gabriel Isaac Mounsey
Music Editors: Hans Hafner, Jonathan Levi Shanes
Nightmare Alley
Searchlight Pictures
Music Editors: Clint Bennett, Kevin Banks MPSE
Scoring Editor: Cecile Tournesac
A Quiet Place Part II
Paramount
Music Editors: Jim Schultz, Nancy Allen MPSE, Del Spiva MPSE, Ramiro Belgardt
tick tick…BOOM!
Netflix
Music Editors: Nancy Allen MPSE, John Davis, Bri Holland
West Side Story
20th Century Studios
Music Editors: Joe E. Rand, Ramiro Belgardt
Scoring Editor: David Channing
Outstanding Achievement in Sound Editing – Feature Animation
Encanto
Walt Disney Animation Studios
Supervising Sound Editor: Shannon Mills
Supervising Dialogue Editor: Brad Semenoff MPSE
Sound Designer: Nia Hansen
Sound Effects Editors: Samson Neslund, Justin Doyle, Cameron Barker, Qianbaihui Yang MPSE
Dialogue Editor: Richard Quinn
Foley Editor: Alyssa Nevarez
Foley Artists: John Roesch MPSE, Shelley Roden MPSE
Supervising Music Editor: Earl Ghaffari
Music Editors: Angie Rubin, Kendall Demarest MPSE
Luca
Pixar Animation Studios
Supervising Sound Editors: Chris Scarabosio, André Fenley
Supervising Dialogue Editor: Rich Quinn
Supervising Foley Editor: Ronni Brown
Sound Effects Editors: Justin Doyle, Pascal Garneau
Foley Editor: E. Larry Oatfield
Foley Artists: Jana Vance, Ronni Brown
Music Editor: Lodge Worster
The Mitchells vs. the Machines
Sony Pictures Animation
Supervising Sound Editor: Geoffrey G. Rubay
Supervising ADR Editor: James Morioka
Sound Designer: John Pospisil
Sound Effects Editors: Kip Smedley, Andy Sisul MPSE, Alec G. Rubay, Dan Kenyon, Greg Ten Bosch MPSE
ADR Editor: Curt Schulkey
Foley Artist: Gregg Barbanell MPSE
Foley Artist: Rick Owens MPSE
Music Editors: Dominick Certo MPSE, Barbara McDermott
Raya and the Last Dragon
Walt Disney Animation Studios
Supervising Sound Editor: Shannon Mills
Supervising Dialogue Editor: Brad Semenoff MPSE
Sound Designer: Nia Hansen
Sound Effects Editors: Samson Neslund, David C. Hughes, Cameron Barker
Foley Editors: Chris Frazier, Steve Orlando
Foley Artists: John Roesch MPSE, Shelley Roden MPSE
Supervising Music Editor: Jim Weidman
Music Editor: David Olson
Sing 2
Illumination / Universal Pictures
Supervising Sound Editor: Dennis Leonard
Supervising Dialogue Editor: Jonathan Greber
Supervising ADR Editor: Daniel Laurie
Sound Designer: Josh Gold
Sound Effects Editors: Lucas Miller, Benjamin A. Burtt
Foley Editors: Shaun Farley MPSE, Jonathon Stevens
Music Editors: Michael Connell, Charles Inouye
Outstanding Achievement in Sound Editing – Feature Documentary
Billie Eilish: The World’s a Little Blurry
Apple TV+
Supervising Sound Editor: Richard Yawn MPSE
Music Editor: Michael Brake MPSE
Dialogue Editor: Rob Getty MPSE
Sound Effects Editor: Steven Avila MPSE
Foley Editor: Shawn Kennelly
Foley Artists: Melissa Kennelly, Vince Nicastro
Flee
NEON
Supervising Sound Editor: Edward Björner
Dialogue Editor: Jens Johansson
Sound Designer: Fredrik Jonsäter
Foley Artists: Rune Van Deurs, Bengt Öberg
The Rescue
Disney+
Supervising Sound Editor: Deborah Wallach
Sound Effects Editor: Roland Vajs
Foley Artist: Nuno Bentro
Music Editor: Ben Smithers
Summer of Soul (or, when the Revolution Could Not Be Televised)
Hulu
Supervising Sound Editor: Joshua L. Pearson
Supervising Music Editor: Jimmy Douglass
VAL
Amazon Prime
Supervising Sound Editor: John Bolen
Dialogue Editor: John Bolen
Sound Effects Editor: John Bolen
Foley Editor: John Bolen
The Velvet Underground
Apple TV+
Supervising Sound Editor: Leslie Shatz
Music Editor: Jahn Sood
Outstanding Achievement in Sound Editing – Foreign Language Feature
Cliff Walkers
Viki
Supervising Sound Editors: Yang Jiang MPSE, Zhao Nan MPSE
ADR Editor: Li Xinghui
Foley Artist: Han Junsheng
Sound Editors: Ann Scibelli, Xiao’ou Olivia Zhang MPSE, Iain Pattison
The Hand of God
Netflix
Supervising Sound Editor: Silvia Moraes
A Hero
Amazon Prime
Supervising Sound Editor: Mohammadreza Delpak
Dialogue Editor: Mohammadreza Delpak
Sound Effects Editor: Mohammadreza Delpak
Titane
Amazon Prime
Sound Editor: Séverin Favriau
Foley Artist: Céline Bernard
A Writer’s Oddyssey
Netflix
Supervising Sound Editor: Xiao Sha Liu
Supervising ADR Editor: Xiao Sha Liu
Sound Designer: Gang Wang
Sound Effects Editors: Shuang Shuang Wang, Hong Rui Ji, Gang Wang, Ruo Qi Mo, Tobias Poppe, Zi Jian
Jiang
Dialogue Editor: Zi Jin
Foley Editor: Pei Ya Zhang
Foley Artists: Zi Wei Wang, Yin Miao
Music Editor: Fei Yu
Outstanding Achievement in Sound Editing – Animation Series or Short
Jurassic World – Camp Cretaceous: “Eye of the Storm”
Netflix
Supervising Sound Editor: Rob McIntyre MPSE
Sound Designer: Evan Dockter
Sound Effects Editors: Marc Schmidt, D.J. Lynch
Dialogue Editor: Anna Adams
Foley Editor: Aran Tanchum
Foley Artists: Ezra Walker, Vincent Guisetti
Love, Death + Robots: “Snow in the Desert”
Netflix
Supervising Sound Editor: Brad North MPSE
Sound Designer: Craig Henighan MPSE
Foley Editors: Jeff Gross, Dawn Lunsford
Foley Artist: Alicia Stevens
Music Editor: Jeff Charbonneau
Star Trek: Lower Decks: “Strange Energies”
Paramount+
Supervising Sound Editor: James Lucero
Sound Effects Editors: James Singleton, Mak Kellerman
Dialogue Editor: Michael LaFerla
Foley Artist: Michael Britt
Star Wars: Visions: “The Duel”
Disney+
Supervising Sound Editors: David W. Collins, Matthew Wood
Sound Designer: David W. Collins
Sound Editor: Luke Dunn Gielmuda
Foley Artist: Jana Vance
Star Wars: The Bad Batch: “Reunion”
Disney+
Supervising Sound Editor: Matthew Wood
Sound Designer: David W. Collins
Sound Editor: David W. Collins
Foley Editor: Frank Rinella
Foley Artist: Kimberly Patrick
Star Wars: A Galaxy of Sounds: “Excitement”
Disney+
Supervising Sound Editor: David W. Collins
Sound Designers: Ben Burtt, David Acord, Ren Klyce, Tim Nielson, Chris Scarabosio, Tom Bellfort, Sam Shaw, Gary Rydstrom MPSE
Sound Editor: Matthew Wood
Outstanding Achievement in Sound Editing – Limited Series or Anthology
The Book of Boba Fett
Disney+
Supervising Sound Editors: Matt Wood, Bonnie Wild
Sound Designer: David Acord
Sound Effects Editor: David Collins
ADR Editors: Angela Ang, Ryan Cota
Foley Editor: Alyssa Nevarez
Foley Artists: Ronni Brown, Andrea Gard, Sean England, Margie O’Malley
Loki: “Journey Into Mystery”
Disney+
Supervising Sound Editors: David Acord, Matthew Wood
Sound Effects Editors: Kyrsten Mate MPSE, Adam Kopald
Supervising Dialogue Editor: Steve Slanec
ADR Editor: Brad Semenoff MPSE
Sound Designer: David Farmer MPSE
Foley Editor: Joel Raabe
Foley Artists: Shelley Roden MPSE, John Roesch MPSE
Supervising Music Editor: Anele Onyekwere
Music Editors: Nashia Wachsman, Ed Hamilton
Mare of Easttown: “Illusions”
HBO Max
Supervising Sound Editor: Bradley North MPSE
Dialogue Editor: Tiffany S. Griffith
Sound Effects Editor: Jordan Wilby MPSE
Foley Editor: Antony Zeller MPSE
Foley Artist: Zane Bruce
Music Editor: Stephanie Lowry
The Underground Railroad: Chapter 9: “Indiana Winter”
Amazon Prime
Supervising Sound Editor: Onnalee Blank MPSE
Sound Designers: Jay Jennings, Harry Cohen MPSE
Sound Effects Editor: Luke Gibleon
Dialogue Editors: Chris Kahwaty MPSE, Katy Wood
ADR Editor: Bryan Parker MPSE
Foley Editors: Pietu Korhonen, Lars Halvorsen
Foley Artist: Heikki Kossi MPSE
Music Editor: John Finklea
Wandavision: “The Series Finale”
Disney+
Supervising Sound Editors: Gwen Whittle MPSE, Kimberly Foscato
Sound Designer: Steve Orlando
Sound Effects Editors: Scott Guitteau, Jon Borland, Samson Neslund, Richard Gould
Supervising Music Editor: Anele Onyekwere
ADR Editors: James Spencer, Chris Gridley
Foley Editor: Luke Dunn Gielmuda
Music Editors: Fernand Bos MPSE, Tom Kramer
Foley Artists: Ronni Brown, Shelley Roden MPSE, John Roesch MPSE
The White Lotus
HBO Max
Supervising Sound Editor: Kathryn Madsen MPSE
Supervising Dialogue Editor: Paul Hammond
Sound Effects Editor: Mark Allen MPSE
Foley Artist: Stefan Fraticelli
Music Editor: Mikael Sandgren
Outstanding Achievement in Sound Editing – Non-Theatrical Animation
Arcane – League of Legends: “When These Walls Come Tumbling Down”
Netflix
Supervising Sound Editors: Brad Beaumont MPSE, Eliot Connors MPSE
Supervising Music Editor: Alexander Temple
Supervising ADR Editor: Shannon Beaumont
Foley Editor: Alexander Ephraim MPSE
Foley Artists: Dan O’ Connell, John Cucci MPSE
Music Editor: Alex Seaver
Lego Star Wars: “Terrifying Tales”
Disney+
Supervising Sound Editors: David W. Collins, Matthew Wood
Sound Designer: David W. Collins
Sound Editors: Justin Doyle, Bonnie Wild
Foley Editor: Frank Rinella
Foley Artists: Kimberly Patrick, Andrea Gard
Maya and the Three: “Chapter 9: The Sun and the Moon”
Netflix
Supervising Sound Editor: Scott Martin Gershin MPSE
Sound Designers: Chris Richardson, Andrew Vernon MPSE
Sound Designer: Scott Martin Gershin MPSE
Sound Effects Editors: David Barbee MPSE, Masanobu “Tomi” Tomita
Foley Artist: Dan O’Connell
Music Editor: Andres Locsey
What if…Doctor Strange Lost His Heart Instead of His Hands?
Disney+
Supervising Sound Editor: Mac Smith
Sound Effects Editors: Bill Rudolph, Alyssa Nevarez
Dialogue Editor: Cheryl Nardi
Supervising Music Editor: Anele Onyekwere
Music Editor: Tom Kramer
Foley Artists: John Roesch MPSE, Shelley Roden MPSE
White Snake 2: “The Tribulation of the Green Snake”
Netflix
Supervising Sound Editor: Gary Chen
Sound Designer: Gary Chen
Sound Effects Editors: Wang Shuangshuang, Gary Chen, Mango Mok, Ji Hongrui, Irene Sun, Qiu Yi
ADR Editors: Listen Zhang, Liu Huizhe
Foley Editors: Liu Huizhe, Cui Lin
Foley Artist: Wang Ziwei, Miao Yin, Zhang Jindong, Xin Shengnan
Outstanding Achievement in Sound Editing – Non-Theatrical Documentary
1971: The Year That Music Changed Everything: “Episode 1”
Apple TV+
Supervising Sound Editors: Andy Shelley, Stephen Griffiths
Sound Effects Editors: Tae Hak Kim, Justin Dolby
Dialogue Editor: Claire Ellis
Foley Editors: Adam Oakley, Paolo Pavesi
Music Editors: Dan Johnson, Nas Parkash
Foley Artists: Zoe Freed, Rebecca Heathcote
The Beatles Get Back: “Part 3”
Disney+
Supervising Sound Editors: Brent Burge, Martin Kwok
Sound Editors: Matt Stutter MPSE, Buster Flaws, Melanie Graham
Dialogue Editor: Emile De La Rey
Music Editors: Steve Gallagher MPSE, Tane Upjohn-Beatson
Foley Editor: Michael Donaldson
Foley Artist: Simon Riley
Bob Ross: Happy Accidents, Betrayal & Greed
Netflix
Supervising Sound Editor: Trevor Gates
Dialogue Editors: Ryan Briley, Taylor Jackson
Sound Effects Editors: Paul B. Knox, Russell Topal MPSE, Mark Coffey
Foley Editor: Alex Jongbloed
Foley Artist: Tara Blume
Music Editor: Liam Rice
Exterminate All the Brutes
HBO / HBO Max
Sound Editors: Séverin Favriau, Emeline Aldeguer
Dialogue Editor: Daniel Irribaren
Foley Artist: Vincent Maloumian
Formula 1: Drive to Survive: “Down to the Wire”
Netflix
Supervising Sound Editors: Steve Speed, Nick Fry
Sound Effects Editor: Hugh Dwan
Sound Designer: James Evans
Dialogue Editor: Hugh Dwan
Life in Colour with David Attenborough: “Seeing in Color”
Netflix
Supervising Sound Editor: Wayne Pashley MPSE
Sound Effects Editor: Paul Fisher
Foley Artists: Jonathan Cawte, Andy Devine, Richard Hinton
Music Editor: James Dorman
McCartney 3, 2, 1
Hulu
Supervising Sound Editor: Jonathan Greber
Sound Editor: Leff Lefferts
Dialogue Editors: E. Larry Oatfield, Bjorn Ole Schroeder
Music Editor: Kim Foscato
Welcome to Earth
Disney+
Supervising Sound Editor: Jay Price
Sound Effects Editor: Jay Price
Dialogue Editor: Tom Foster
Foley Editor: Stuart Bagshaw
Music Editor: Ben Smithers
Outstanding Achievement in Sound Editing – Non-Theatrical Feature
Fear of Rain
Hulu
Supervising Sound Editor: David Barber MPSE
Foley Editor: David Kitchens MPSE
Sound Effects Editor: Ben Zarai
Sound Designer: David Barbee, MPSE
Foley Artist: Gonzalo “Bino” Espinoza
ADR Editor: Michael Kreple
Fear Street: “Part Two – 1978”
Netflix
Supervising Sound Editor: Trevor Gates
Supervising Dialogue Editor: Jason Dotts
Sound Effects Editors: Matthew Thomas Hall, Russell Topal MPSE, Mark Coffey
Dialogue Editors: Kristen Hirlinger, Harrison Meyle
Foley Artist: Sandra Fox
Music Editor: Brett “Snacky” Pierce MPSE
The Ice Road
Netflix
Supervising Sound Editor: Trip Brock MPSE
Sound Designer: Charles Maynes MPSE
Supervising ADR Editor: Jacob Ortiz MPSE
Dialogue Editor: Jackie Johnson
Sound Effects Editors: Raymond Park MPSE, Demetri Evdoxiadis
Foley Artists: Lorita de la Cerna, G.W. Pope, III MPSE
Music Editor: Nicholas Fitzgerald
Infinite
Paramount+
Supervising Sound Editors: Mandell Winter MPSE, David Esparza MPSE
Sound Designer: Hamilton Sterling
Sound Effects Editor: Will Digby MPSE
Dialogue Editors: Micah Loken MPSE, Sang Kim
Foley Editor: Eryne Prine MPSE
Music Editor: Mark “Vordo” Wlodarkiewicz
Foley Artists: Dan O’Connell, John Cucci MPSE
Oslo
HBO Max
Supervising Sound Editor: Lewis Goldstein
Supervising ADR Editor: Gina Alfano MPSE
Sound Designer: Peter John Still
Sound Effects Editors: Alex Soto, Alfred DeGrand
Dialogue Editor: Thomas Ryan
Foley Editor: Wen Tseng
Foley Artists: Leslie Bloome, Joanna Fang
Outstanding Achievement in Sound Editing – ½ Hour – Comedy or Drama
Hacks: “There Is No Line”
HBO Max
Supervising Sound Editor: Brett Hinton
Sound Effects Editor: Marc Glassman MPSE
Dialogue Editor: Ryne Gierke
Foley Editor: Samuel Munoz
Foley Artist: Noel Vought
Music Editor: Jason Tregoe Newman
The Kominsky Method: “The Round Toes, of the High Shoes”
Netflix
Supervising Sound Editor: Lou Thomas
Sound Effects Editors: Mark Messick, TJ Jacques
Foley Editor: Clay Weber MPSE
Foley Artist: Sanaa Kelley
Mythic Quest: “Everlight”
Apple TV+
Supervising Sound Editor: Matthew E. Taylor
Sound Designer: Pete Nichols
Sound Effects Editor: Matthew Wilson
Dialogue Editor: Sean Heissinger
Foley Editor: David Jobe
Foley Artists: Elizabeth Rainey, Jody Holwadel Thomas
Music Editor: Joe Deveau
Only Murders in the Building: “The Boy From 6B”
Hulu
Supervising Sound Editor: Mathew Waters
Dialogue Editor: Danika Wikke MPSE
Sound Effects Editor: Meredith Stacy
Music Editor: Micha Liberman
Schmigadoon: “Suddenly”
Apple TV+
Supervising Sound Editor: Cormac Funge
Sound Effects Editor: Peter Nichols
Dialogue Editor: John Green
We Are Lady Parts: “Sparta”
Peacock
Supervising Sound Editor: Jay Price
Sound Editor: Tom Foster
Dialogue Editor: Dario Swade
Foley Editor: Sam Walsh
What We Do in the Shadows: “The Escape”
FX
Supervising Sound Editor: Steffan Falesitch
Sound Effects Editor: David Barbee MPSE
Dialogue Editor: Chris Kahwaty MPSE
Foley Editors: John Guentner, Sam Lewis
Foley Artist: Ellen Heuer
Music Editor: Steve Griffen
Outstanding Achievement in Sound Editing – Series 1 Hour – Dialogue / ADR
For All Mankind: “And Here’s to You”
Apple TV+
Supervising Sound Editor: Vince Balunas MPSE
Dialogue Editor: Vince Balunas MPSE
ADR Editor: Vince Balunas MPSE
The Handmaid’s Tale: “Vows”
Hulu
Supervising Sound Editor: David McCallum MPSE
Dialogue Editor: Krystin Hunter
The Morning Show: “My Least Favorite Year”
Apple TV+
Supervising Sound Editor: Mark Relyea MPSE
Supervising ADR Editor: Julie Altus
Dialogue Editor: Robert Guastini MPSE
Supervising Dialogue Editor: Pernell Salinas
The Nevers: “Pilot”
HBO Max
Supervising Sound Editor: Tim Kimmel MPSE
Supervising ADR Editor: Tim Hands
Supervising Dialogue Editor: John Matter MPSE
Squid Game: “VIPS”
Netflix
Supervising Sound Editors: Hye-Young Kang, Tae-Young Choi
Supervising ADR Editor: Byung-In Kim
Supervising Dialogue Editor: Eun-Ji Ye
Star Trek Discovery: “Kobayashi Maru”
Paramount+
Supervising Sound Editor: Matthew E. Taylor
Supervising Dialogue Editors: Sean Heissinger, Cormac Funge
ADR Editor: Cormac Funge
Succession: “Secession”
HBO Max
Supervising Sound Editor: Nicholas Renbeck MPSE
Dialogue Editor: Michael Feuser
ADR Editor: Angela Organ
Ted Lasso: “Rainbow”
Apple TV+
Supervising Sound Editor: Brent Findley MPSE CAS
Dialogue Editor: Bernard Weiser MPSE
Crowd Editor: Kip Smedley
Outstanding Achievement in Sound Editing – Series 1 Hour – Effects / Foley
Foundation: “The Emperor’s Peace”
Apple TV+
Sound Designer: Tyler Whitham MPSE
Sound Effects Editors: Paul Germann, Dave Rose
Foley Artist: Steve Baine
The Handmaid’s Tale: “Chicago”
Hulu
Supervising Sound Editors: Jane Tattersall MPSE, David McCallum MPSE
Sound Effects Editor: Brennan Mercer
Foley Editor: David Caporale
Foley Artist: Sandra Fox
Lost in Space: “Trust”
Netflix
Supervising Sound Editor: Branden Spencer MPSE
Sound Designer: Benjamin Cook MPSE
Sound Effects Editors: Shaughnessy Hare, Brendan Croxon
Foley Artist: Paul Pirola
Squid Game: “VIPS”
Netflix
Supervising Sound Editor: Hye-Young Kang
Sound Designer: Ye-Jin Jo
Sound Effects Editor: Hye-Jin Yang
Foley Editor: Taek-Hyun Hong
Foley Artist: Chung-Gyu Lee
Star Trek Discovery: “Kobayashi Maru”
Paramount+
Supervising Sound Editors: Matthew E. Taylor, Michael Schapiro
Sound Designers: Harry Cohen MPSE, Katie Halliday MPSE
Sound Effects Editor: Andrew Twite
Foley Editor: Clay Weber MPSE
Foley Artists: Alyson Moore, Chris Moriana
Ted Lasso: “Beard’s Night Out”
Apple TV+
Supervising Sound Editor: Brent Findley MPSE CAS
Sound Effects Editors: Kip Smedley, Mark Cleary
Foley Editors: Jordan McClain, Arno Stephanian MPSE
Foley Artists: Sanaa Kelley, Matt Salib
The Witcher: “A Grain of Truth”
Netflix
Supervising Sound Editor: Matthew Collinge
Sound Designers: Rob Turner, Alyn Sclosa, Rob Prynne
Foley Editors: Adam Oakley, Rob Weatherall
Foley Artists: Zoe Freed, Rebecca Heathcote
Wu Tang: An American Saga: “Protect Ya Neck”
Hulu
Supervising Sound Editor: Thomas E. de Gorter MPSE
Sound Designer: Michael O’Conner
Foley Editors: Geordy Sincavage, Alex Jongbloed
Foley Artists: Tara Blume, Monique Reymond
Outstanding Achievement in Sound Editing – Series 1 Hour – Music
Cobra Kai: “The Rise”
Netflix
Music Editor: Andres Locsey
See: Rock-a-Bye
Apple TV+
Music Editor: Dan Farkas
Squid Game: “Red Light, Green Light”
Netflix
Music Editor: Jae-il Jung
Star Trek Discovery: “Kobayashi Maru”
Paramount+
Supervising Music Editor: Moira Marquis
Scoring Editor: Matea Prljevic
Ted Lasso: “Rainbow”
Apple TV+
Supervising Music Editor: Richard David Brown
Music Editor: Sharyn Gersh MPSE
The Witcher: “A Grain of Truth”
Netflix
Music Editor: Arabella Winter MPSE
Wu Tang: An American Saga: “Protect Ya Neck”
Hulu
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